CHAPTER XI.

THE REIGN OF RIDICULE.

There are no limits to Paris; and no other city has held this sway, which at times derides those whom it holds in subjection. "To please you, O Athenians!" Alexander exclaimed. Paris makes more than the law, for it sets the fashion; and it makes more than fashion, for it produces routine. Paris may be stupid, if it think proper; at times it indulges in that luxury, and then the universe is stupid with it; but Paris soon wakes up, rubs its eyes, says, "How stupid I am!" and laughs in the face of the human race. What a marvel such a city is! How strange it is to find this grandeur and this buffoonery side by side; to see how all this majesty is not deranged by this parody, and the same mouth to-day blowing the trumpet of the last judgment, and to-morrow a penny whistle! Paris has a sovereign gayety; but the gayety is lightning, and its farce holds a sceptre. Its hurricane at times issues from a furnace; its explosions, its days, its masterpieces, its prodigies, its epics, go to the end of the world, and so do its cock-and-bull tales. Its laugh is the crater of a volcano which bespatters the world, and its jokes are sparks of fire. It imposes upon nations its caricatures as well as its ideal, and the loftiest monuments of human civilization accept its ironies and lend their eternity to its jokes. It is superb; it has a prodigious July 14, which delivers the globe; its night of August 4 dissolves in three hours a thousand years of feudalism; it makes with its logic the muscle of the unanimous will; it multiplies itself in every form of sublimity; it fills with its lustre Washington, Kosciusko, Bolivar, Bozzaris, Riégo, Bem, Manin, Lopez, John Brown, and Garibaldi. It is found wherever the future bursts into a flash,—at Boston in 1779, at the Isle of Leon in 1820, at Pesth in 1848, at Palermo in 1860; it whispers the powerful watchword "Liberty" in the ear of the American abolitionists assembled at Harper's Ferry, and in that of the patriots of Ancona assembled in the darkness before the Gozzi inn, on the sea-shore; it creates Canaris, it creates Quiroga, it creates Pisacane, it radiates grandeur upon the earth; it was by going whither its blast impelled him that Byron died at Missolonghi, and Mazet at Barcelona; it is a tribune under the feet of Mirabeau, and a crater under those of Robespierre; its books, plays, art, science, literature, and philosophy are the manuals of the human race; it has Pascal, Regnier, Corneille, Descartes, and Jean Jacques; Voltaire for any moment, Molière for all ages; it makes the universal mouth speak its language; it constructs in every mind the idea of progress; the liberating dogmas which it fuses are well-tried friends for generations, and it is with the mind of its thinkers and its poets that all the heroes of all nations have been formed since 1789. Still, this does not prevent it from playing the gamin; and the enormous genius which is called Paris, while transfiguring the world with its light, draws Bouginier's nose with charcoal on the wail of the Temple of Theseus, and writes Crédeville Voleur upon the Pyramids.

Paris constantly shows its teeth, and when it is not scolding it is laughing; such is Paris. The smoke from its chimneys constitutes the ideas of the universe; it is a pile of mud and stones if you like, but it is, before all, a moral being. It is more than grand, it is immense; and why? Because it dares. Daring is the price paid for progress. All sublime contests are more or less the rewards of boldness. For the Revolution to take place, it was not enough that Montesquieu should foresee it, Diderot preach it, Beaumarchais announce it, Condorcet calculate it, Arouet prepare it, and Rousseau premeditate it,—it was necessary that Danton should dare it.

The cry "Audace!" is a Fiat lux. In order that the human race may progress, it must have proved lessons of courage permanently before it. Rashness dazzles history, and is one of the great brightnesses of man. The dawn dares when it breaks. To attempt, to brave, persist, and persevere, to be faithful to one's self, to wrestle with destiny, to astound the catastrophe by the slight fear which it causes us, at one moment to confront unjust power, at another to insult intoxicated victory, to hold firm and withstand,—such is the example which people need and which electrifies them. The same formidable flash goes from the torch of Prometheus to the short clay pipe of Cambronne.


CHAPTER XI.

WRETCHEDNESS OFFERS HELP TO SORROW.

Marius ascended the stairs slowly, and at the moment when he was going to enter his cell he perceived behind him, in the passage, the elder of Jondrette's girls following him. This girl was odious in his sight, for it was she who had his five francs; but it was too late to ask them back from her, for both the hackney coach and the cab were now far away. Besides, she would not return them to him. As for questioning her about the abode of the persons who had been here just now, that was useless, and it was plain that she did not know, for the letter signed Fabantou was addressed "To the benevolent gentleman of the church of St. Jacques du Haut-pas." Marius went into his room and threw the door to after him, but it did not close; he turned and saw a hand in the aperture.

"Who's that?" he asked.

It was the girl.

"Oh it's you!" Marius continued almost harshly,—"always you! What do you want of me?"

She seemed thoughtful, and made no answer, and she no longer had her boldness of the morning; she did not come in, but stood in the dark passage, where Marius perceived her through the half-open door.

"Well, answer!" said Marius; "what do you want of me?"

She raised her dull eye, in which a sort of lustre seemed to be vaguely illumined, and said,—

"Monsieur Marius, you look sad; what is the matter with you?"

"Nothing."

"Yes, there is!"

"Leave me alone!"

Marius pushed the door again, but she still held it.

"Stay," she said; "you are wrong. Though you are not rich, you were kind this morning, and be so again now. You gave me food, and now tell me what is the matter with you. It is easy to see that you are in sorrow, and I do not wish you to be so. What can I do to prevent it, and can I be of any service to you? Employ me; I do not ask for your secrets, and you need not tell them to me, but I may be of use to you. Surely I can help you, as I help my father. When there are any letters to deliver, or any address to be found by following people, or asking from door to door, I am employed. Well, you can tell me what is the matter with you, and I will go and speak to persons. Now and then it is sufficient for some one to speak to persons in order to find out things, and all is arranged. Employ me."

An idea crossed Marius's mind, for no branch is despised when we feel ourselves falling. He walked up to the girl.

"Listen to me," he said; "you brought an old gentleman and his daughter here."

"Yes."

"Do you know their address?"

"No."

"Find it for me."

The girl's eye, which was dull, had become joyous, but now it became gloomy.

"Is that what you want?" she asked.

"Yes."

"Do you know them?"

"No."

"That is to say," she added quickly, "you don't know her, but you would like to know her."

This "them," which became "her," had something most significant and bitter about it.

"Well, can you do it?" Marius said.

"You shall have the beautiful young lady's address."

In these words there was again a meaning which annoyed Marius, so he went on,—

"Well, no matter! the father and daughter's address,—their address, I say."

She looked at him fixedly.

"What will you give me for it?"

"Whatever you like."

"Whatever I like? You shall have the address."

She hung her head, and then closed the door with a hurried gesture; Marius was alone again. He fell into a chair, with his head and elbows on his bed, sunk in thoughts which he could not grasp, and suffering from a dizziness. All that had happened since the morning,—the apparition of the angel, her disappearance, and what this creature had just said to him, a gleam of hope floating in an immense despair, —this is what confusedly filled his brain. All at once he was violently dragged out of his reverie, for he heard Jondrette's loud, hard voice uttering words full of the strangest interest for him.

"I tell you that I am sure, and that I recognized him."

Of whom was Jondrette talking, and whom had he recognized? M. Leblanc, the father of "his Ursule." What! did Jondrette know him? Was Marius going to obtain, in this sudden and unexpected fashion, all the information without which his life was obscure for himself? Was he at last going to know who she was whom he loved, and who her father was? Was the thick cloud that covered them on the point of clearing off? Would the veil be rent asunder? Oh, heavens! He bounded rather than ascended upon the chest of drawers and resumed his place at the aperture in the partition: once more he saw the interior of Jondrette's den.